Johanna Hart

Johanna Hardt is a curator of contemporary art, writer and occasional translator. She is the co-founder of High Pitch Magazine—a digital platform for showcasing and analysing the role of sound in contemporary art. Her research focuses on feminist theory and the relationship between technology, nature and culture. Recent positions have been at the Heidelberger Kunstverein (curator), the Institute of Contemporary Arts (student forum), Cubitt Artists (archive placement) and Corsica Studios (listening sessions) in London, and the Azkuna Zentroa Museum in Bilbao (Margaret Harrison's retrospective). She holds an MA in Curating from Goldsmiths, University of London and a BA in Cultural Studies from Leuphana University, Lüneburg.

High Pitch Magazine Issue 01, Graphic Design: Benjamin Kivikoski, Bureau Progressiv, Stuttgart

High Pitch Magazine, Graphic Design: Benjamin Kivikoski, Bureau Progressiv, Stuttgart

Tracing A Seeping Terrain—Eloïse Bonneviot, Anne de Boer. Heidelberger Kunstverein, 2023

Booklet for Tracing A Seeping Terrain—Eloïse Bonneviot, Anne de Boer. Heidelberger Kunstverein, 2023

Winds of the Anthropocene—Heather Dewey-Hagborg, Kyriaki Goni, Arjuna Neuman & Denise Ferreira da Silva, Sybille Neumeyer, Mimi Onuoha. Heidelberger Kunstverein, 2023, photo: Hermann Mayer

Booklet, Marwa Arsanios, Heidelberger Kunstverein

Wo der Raum vorbeifliegt—Katinka Eichhorn and Jordan Madlon. Heidelberger Kunstverein, 2022-2023. photo: Lys Y. Seng

My eyes are wild, my lips tight pressed—Caterina Gobbi. ZÖNOTÉKA, 2020.

Is this the end? - ICA Student Forum funeral, 2017. photo: Chiara dalla Rosa

Marcel Darienzo, performance for The ICA Public Marketplace, 2017. photo: Chiara dalla Rosa

Is this the end? - ICA Student Forum funeral, 2017. photo: Chiara dalla Rosa